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When Will This End?

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So much stupid & no end in sight

First, it was “racist” math. That was just the beginning. Cancel culture doesn’t just stop.

Oxford University May Scrap Sheet Music for Being Complicit in ‘White Supremacy’

The University of Oxford is considering proposals that would remove sheet music from its curriculum over woke claims that teaching the Western form of musical notation has roots in “colonialism” and “complicity in white supremacy”.

In response to widespread Black Lives Matter protesters and riots last year in the United Kingdom, music educators at Oxford University have joined the wider iconoclastic movement which has been sweeping through British academia.

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8 COMMENTS

  1. Somethings like this woke call to cancel sheet music are just too stupid to comment on. I’m f l a b b e r g a s t e d at the morons of this world.

    Love the old musical poster. Now that looks to be very entertaining. Take your sense of humour and a positive attitude. No wokesters need attend.

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  2. Ah, the gollywog image with its frizzy black hair, outrageously puffed lips and bulging eyes is indeed a stereotype of negroes in the eyes of white men. Caucasians may laugh this character off as humor, but I am sure that blacks will find it offensive in a way.

    In Japan, there is a similar stereotype of the Caucasian. You know. The blonde hair, the blue eyes, the large, high nose (by Asian standards). Ref: https://www.google.com/search?q=gaijin+stereotype+blue+blonde+nose&sxsrf=ALeKk01IWL6vOskRcsnzwEtAD9-6KJYV8g:1617134216696&tbm=isch&source=iu&ictx=1&fir=lPEqYP5lAYZAcM%252Ctaz_KJwV-j4trM%252C_&vet=1&usg=AI4_-kTEMAA70sKbH-kmQS8ATKZnDrfU6w&sa=X&ved=2ahUKEwjM1qi05tjvAhUBxTgGHQhPCZAQ9QF6BAgNEAE#imgrc=lPEqYP5lAYZAcM

    “Foreigner” party mask kits (with the blonde wig and fake nose) are popular (or were popular a while back) in Japan. A bit like “black face,” the dressing up was all in good fun, but I can’t help but feel that a Caucasian present might have felt a little uncomfortable with the charade.

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  3. Fascinating fact:

    “ Ernest Hogan (born Ernest Reuben Crowdus; 1865 – May 20, 1909) was the first African-American entertainer to produce and star in a Broadway show (The Oyster Man in 1907) and helped to popularize the musical genre of ragtime.”

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